Thoughts on Good Things

Author’s Statement

A. Manette Ansay
Across from the Rigi where Brahms and Clara hiked

I first fell in love with the story of Clara Schumann (and her lifelong friendship with Johannes Brahms) when I was majoring in piano performance at the Peabody conservatory—can it be twenty-five years ago?   But it wasn’t until I was in my early thirties that I thought about writing something that involved Clara’s story.  I’ve probably attempted to write this book for over a dozen years and in over a dozen ways.  Initially, I co-wrote a screenplay about Clara’s life with novelist and screenwriter Stewart O’Nan; later on, when I asked if I could re-work some of our research as a historical novel about Clara and Brahms, he graciously agreed.  But for a number of reasons, I kept getting distracted by other writing projects, and after that, several other novels about Clara’s life came out in English, so I let the piece sit for awhile, trying to figure out a new way to approach the material.  I wanted to capture what I felt was most significant about the story:  its contemporary relevance, the way the same story could be told of people living today.  Perhaps that’s why I returned to the book as I was going through a divorce (my former husband and I were married for sixteen years; we remain friends) trying to figure out how to balance my new situation as a single mother with the demands of art and life.

Germany ©
View from center of Gersau

Around that time, I went on a blind date with a German man who’d grown up in the area of Leipzig, Germany—Clara Schumann’s birthplace—and we ended up in lengthy discussion about the way I was interpreting what had happened between Brahms and Clara.  At one point, he said, “There are things between men and women that do not change,” and for some reason, that impacted me deeply.  What I’d been writing, until that time, was still a traditionally-conceived historical novel, but that night, when I got home, I wrote what would become the opening line of Good Things: “My first date in 19 years was nearly an hour late.”  Immediately, a  parallel story began to emerge, narrated by a contemporary woman researching the life of Clara Schumann, and though fact and fiction diverge sharply as the novel unfolds, there are more parallels between art and life in this book than in any fiction I’ve written recently.  Over the past few years, Jeanette’s research has taken me twice to Germany and, mostly recently, to Gersau, Switzerland, the town where Clara and Brahms parted ways.  Though I did not know the ending of the novel before I actually was writing it, I knew all along that the book would end in Gersau, and that, somehow, the two stories—present and past—would connect.  I’ve also developed interests in gliding and flying—I have 18 hours of instruction in a Cessna 152—and these new interests will, no doubt, appear in a future book.


  1. This book is calling to me to read it! I’m just finishing reading Ms Ansay’s book, LIMBO

  2. Mary Ellen says:

    I just finished reading this book this morning (stayed up as late as I could last night to keep reading) and it is the most beautiful and hearbreaking book I’ve read in a long time. I’ve always been fascinated by Clara Schumann’s story and madly in love with playing Robert Schumann’s piano music. What I didn’t realize until I finished reading your book is that Clara’s story, your story and my story are all the same…and different! Thank you for a beautiful, lyric piece of writing that just can’t be put down!

  3. I just finished reading this book, and I must say it was one of the best reads I have encountered in some time! I really enjoyed the merging of the two stories and found the ending to be very artistically done! The quotes and images throughout the book added greatly to the experience and I wish that more novelists would invest in the technique!

  4. carole turano says:

    oh my gosh, i just finished reading your latest write…’good things i wish you’ and cannot wait until you (hopefully) come to the book club at the uu church of the palm beaches to lead our review. i loved, loved, loved this book…the dual stories made it truly alive with fact and action. thank you so much. btw, you have a most delightful mom.

  5. Ned Joyce says:

    Dear A. Manette:

    I have read all you books except for this new one. I just received it and can’t wait to read it. What does the A. stand for in your name? Do you
    like living in Florida? I live here also in St. Lucie
    West, Fl. I love the weather and being near the

    Yours truly,


  6. I have not read this book (yet)…but I will. I have followed you and your work since I met you years ago on a stage where you conducted a short session at the (I believe) now-defunct Writing Today conference. After reading your description of how you finally began to approach this material I have to ask if you are familiar with the play 33 Variations by Moises Kauffman? My daughter performed in this play during her time at Belmont University–there are striking similarities between your own experience and the experiences of Katherine, the lead in the play, who has given her life to research of Beethoven. That and your own experience and passion for the piano would seem to make you the perfect recipient of this play!!

    Keep writing…and I will keep reading!


    Portia Pennington

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